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📚🌈♿️ An Encyclopedia of Disability and Difference

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Home » 📚🌈♿️ An Encyclopedia of Disability and Difference

Stimpunks is a treasure trove of everything important to the neurodivergent and disabled community.

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This site is like Wikipedia because it effectively is an encyclopedia, an encyclopedia of disability and difference. It’s chock full of answers and knowledge and experience on living in this world as neurodivergent and disabled people. Learn about yourself. Learn about your family. Learn about your friends, co-workers, patients, and students. We offer lots of free resources for navigating our current society and building a more inclusive society. We offer validation for thirsty souls yearning to be seen, heard, and understood. We offer words on your behalf, ones which call out to include you. We offer community and belonging.

Stimpunks is the best autism resource on the planet.

Their work is the most important stuff out there for autistic adults. There is no more crucial web resource out there than what they are doing. I want everyone to know that.

Matthew the #ActuallyAutistic Coach, Matthew provides important services to neurodivergent people
“Living in a neurotypical world run by productivism is uniquely challenging for autistic people.” ––Matthew the #ActuallyAutistic Coach

Living in a neurotypical world run by productivism is uniquely challenging for autistic people.

The #ActuallyAutistic Coach | Autistic Life Coach | Autism Coach

In order for us to thrive in our modern society we have been forced to mask, to compensate, to change in order to survive. Those methods have more often than not actually harmed us, not helped us grow. Each of us has parts of ourselves hidden inside behind years and layers of accommodating society.

Many parts of our true selves, our true powers and strengths, are little known or unknown to us. I, like you, have been there. I have learned to thrive in a neurotypical world while honoring my autistic self and I want to help you thrive too by unmasking and discovering yourself. Unmasking leads to thriving and living life to the fullest extent possible. Let me assist you in showing you how via Autism Life Coaching and peer support. I offer both individual sessions as well as group workshops that have the extra benefit of connecting with your fellow autistic peers. I also offer numerous free discussion circles every month in order to create a supportive and thriving space for autistics worldwide.

The #ActuallyAutistic Coach | Autistic Life Coach | Autism Coach

The above is an “accordion”. Click/tap it to read quotes from the work of our friend Matthew. We use accordions frequently to provide definitions, explanations, quotes, videos, art, stories and more on demand.

There are over eight hundred and fifty pages to explore in our encyclopedia of disability and difference. We are building a global knowledge commons, at the edges. Our glossarylibrarycourses, and field guide are vast. Visit our site map for lists of our most popular articles and our many collections.

Stimpunks is a great resource if you’re wondering how to shout loudly back at voices telling humans that they fit into convenient ableist labels.

Their work is expansive, beautiful, liberating.

Michael Weingarth, founder of Pillars of Learning and Penelope Education
Neuroinclusive Learning & the Brain with Michael Weingarth
Neuroinclusive Learning & the Brain w/ Michael Weingarth | Human Restoration Project | Podcast

“All brains compensate all the time, and they do it in ways that are absolutely unique. School pushes certain categories of compensation outside of its box and gives it a bad label.”

Neuroinclusive Learning & the Brain w/ Michael Weingarth | Human Restoration Project | Podcast

Our students are not surgically modified dogs nor are they pigeons in operant conditioning chambers attempting to learn nonsense words. No child enters a classroom devoid of emotion, interest, or prior knowledge. Owing to the key distinctions between the controlled laboratory and the living classroom, there simply may be no connection between what is taught and what is learned; or between the educational intervention and the desired outcome. This is why, in pedagogies centered on instruction drawn from the narrow view of “The Science of Learning,” behaviorism is a complexity control meant to reduce the number of possible variables between instruction and assessment; to better reproduce the uncomplicated relationship between variables in the Skinner Box. We know from listening to students themselves that there has been a persistent crisis in schools, even before COVID: students ask fewer questions the longer they remain in school, engagement plummets alongside mental health, and absenteeism surges. Ultimately, any science of learning matters far less than its implementation. Maintaining fidelity to what happened in, say, Pavlov’s lab matters significantly less if the practices derived from his work contribute to stress, anxiety, and alienation in students.

If the perfect education system requires that you dehumanize the people in it — adults and kids alike — that’s not a system that “works” by most metrics worth caring about. The kids in our schools have to be viewed as more than behaviorist subjects to be acted upon. If we at least admit that much, then the business of teaching gets far more complicated. Suddenly there are a number of other factors we must tend to that matter a great deal. I’ll quote again from apparent “pseudoscientist” Mary Helen Immordino-Yang, “As human beings, feeling alive means feeling alive in a body but also feeling alive in a society, in a culture; being loved, being part of a group, being accepted, and feeling purposeful.” These are self-evident truths that we are finally beginning to explore the neurobiological basis for in ways that shatter many previous models of the brain that still hold cultural sway.

Beyond Pavlov’s Perfect Student | Human Restoration Project | Nick Covington Michael Weingarth

Research increasingly recognizes that, as medical researchers Peter Stilwel and Katharine Harmon write, “Cognition is not simply a brain event.”(*) Drawing from their intuitive 5E model, we can better understand learning as a process of sense-making about ourselves in relation to the world that is:

Embodied – sense-making shaped by being in a body

Embedded – bodies exist within a context in the world

Enactive – active agents in interactions with the world

Emotive – sense-making always happens in an emotional context

Extended – sense-making relies on non-biological tools and technologies

Rather than rely exclusively on tests of memory and retention, as The Science of Learning would direct us, this holistic 5E model lives at the intersection of the multiple missions of school: to provide an emotionally and physically safe and productive environment, to promote social and emotional growth, to develop executive skills and self-regulation, and to improve the intellectual capacity of kids to be active agents in the world. Summarized beautifully by education, psychology, and neuroscience professor Mary Helen Immordino-Yang, “As human beings, feeling alive means feeling alive in a body but also feeling alive in a society, in a culture; being loved, being part of a group, being accepted, and feeling purposeful.” 

There is No Such Thing As “The Science of Learning” | Human Restoration Project | Nick Covington Michael Weingarth

Would You Like to Know More?

Annie Murphy Paul – The Extended Mind

Mary Helen Immordino Yang –  Emotions, Learning and the Brain

Naomi Fisher – Changing Our Minds

Andratesha Fritzgerald – Anti-Racism and Universal Design for Learning 

Luiz Pessoa –  The Entangled Brain

Often times, when we quote someone, we’ll include an accordion with more from that person.

On this page, we introduce our storytelling style and set the stage for a scrollytelling journey. We curate the treasures of neurodivergent and disabled cultures and weave together a community of voices and experiences.

StimPunks has a great, up-to-date glossary that reflects the breadth and richness of this global neurodivergent community. It captures a reflection of the autistic, neurodivergent and disabled culture and language used within these communities. It is a beautiful display of acceptance, belonging and connecting (NATP). An example of this is their page Five Neurodivergent Love Locutions (Stimpunks, 2022), where they expanded on Myth’s (@neurowonderful) original Twitter/ X post:

“The five neurodivergent love languages: info-dumping, parallel play, support swapping, Please Crush My Soul Back Into My Body, and “I found this cool rock/button/leaf/etc and thought you would like it” (Myth, 2021).

These examples show the different ways many autistic people create a sense of belonging by sharing stories and developing friendships online, as these spaces are often not available or accessible elsewhere. It is through these online spaces that I have grown to feel more accepted and continue to un-learn and re-learn more authentic ways of being with the support of other neurodivergent people who ‘get it’.

Autistic Community: Connections & Becoming

I honestly don’t think I’ve learned more from anyone else. I am grateful for their generosity in curating & cultivating such an accessible range of resources. Such important work.

Nick Covington of Human Restoration Project
Education is relational. It’s contextual. It involves understanding the human beings in the room. —Nick Covington

The quotes below contain links to our extensive glossary. We link to our glossary throughout our website.

There is no what works for everybody. There is no silver bullet in education. Education is relational. It’s contextual. It involves understanding the human beings in the room.

Nick Covington, Human Restoration Project Talks Professional Learning & Progressive Pedagogy

Hope is a platform for action.

Good digital pedagogy is accessible to everyone.

Nick Covington, MINDFOOD I: Top 10 Books Every Progressive Educator Should Read – YouTube

Make room for play. Play is learning.

Nick Covington, Play-Based Learning is learning! (with Lego) – YouTube

There is a point to taking these individualistic actions towards systemic change, because kids notice this stuff.

Restoring Humanity to Education w/ Nick & Chris of HRP | CTRH2023 – YouTube

Progressive education is research-based education. We have the research on our side. The traditional practices do not.

Restoring Humanity to Education w/ Nick & Chris of HRP | CTRH2023 – YouTube

Where behaviorism fails to foster agency it simultaneously creates a framework for excluding neurodivergent and disabled students while enabling the policing of students from non-dominant cultural, linguistic, and racial backgrounds.

A Human Centered Education: Ends Dehumanizing Practices – YouTube
Human Restoration Project is informing, guiding, and growing a movement toward a progressive, human-centered education system.
An astronaut in a space suit reclines on a crescent moon with a cup of coffee

Human Restoration Project is informingguiding, and growing a movement toward a progressive, human-centered education system. We are bringing together a network of radical educators who are transforming classrooms across the world.

About Human Restoration Project

At Stimpunks, we choose the margin, because design is tested at the edges. HRP likewise designs for those of us at the margins. That’s because they have joined us at the edges. They show up. They listen. They integrate. They practice good allyship.

This is exemplified throughout their work, including the implementation of the Conference to Restore Humanity, a conference model for the future compatible with us Stimpunks like no other. No one else includes us like HRP.

Conference to Restore Humanity! is an annual, designed-for-virtual conference centering progressive education, social justice, and preserving the humanity of classrooms. We strive to bring together the radicals reimagining their classroom spaces and demanding for a just future.

Conference to Restore Humanity

Reframing is a big part of our advocacy. Reframing ourselves and others is hard and important work necessary to all other work.

The long-term well-being and empowerment of Autistics and members of other neurocognitive minority groups hinges upon our ability to create a paradigm shift – a shift from the pathology paradigm to the neurodiversity paradigm.

Dr. Nick Walker

HRP helps create this paradigm shift with their handbooks and why sheets. HRP’s materials help us reframe people as we journey through our systems.

Finding HRP was like finding an oasis. They understand, and they help.

Header image: “Wolpertinger” by Kaya Oldaker is licensed under “All Rights Reserved”. Used with permission.

White, fluffy, baby wolpertingers with adorable bunny faces, yellow curling antlers, and white feathered wing gather around their parent wolpertinger in front of the opening of a warren in the side of a hill

📜 Scrollytelling: How We Tell Our Stories

Scrollytelling is the fusion of scrolling and storytelling: a way to dynamically tell long-form stories as the user scrolls.

Scrollytelling: How to Transform Your Long-Form Content | Elementor

We use scrollytelling to tell our stories on this website. Our pages can be long, but we present the important information at the top in plain language. Scrolling down is a bonus journey.

Up-to-Date Research, Fun Art, Music and Literature, Reflective of the Real Neurodiversity Community

It is truly epic! It is my absolute favourite website: informative, up-to-date research, fun art, music and literature, reflective of the real ND community – just fabulous!

I remember sharing it so enthusiastically everywhere last year and people just being mindblown with it all! It is fabulous and really unique and probably the most up-to-date ND affirming website out there!

Helen Edgar of Autistic Realms (one of our favorite websites, go check out their monotropism and burnout resources)
“Monotropism is increasingly considered to be the underlying principle behind autism and is becoming more widely recognised especially within autistic and neurodivergent communities.” ––Helen Edgar

Autistic Realms offers many great resources written with clarity and compassion. Here’s a selection from their monotropism page.

The theory of Monotropism was developed by Dr Dinah Murray, Wenn Lawson and Mike Lesser (2005) in their article, Attention, monotropism and the diagnostic criteria for autism.  They stated “At any one moment the amount of attention available to a conscious individual is limited…. The authors suggest competition between mental processes for scarce attention is an important factor in the shaping of the cognitive process.”(Murray et al., 2005).

Monotropism is increasingly considered to be the underlying principle behind autism and is becoming more widely recognised especially within autistic and neurodivergent communities. Fergus Murray, in their article Me and Monotropism: A unified theory (2018), describes monotropism as a ‘pull’. Murray describes montropism as ‘resting on a model of the mind as an interest system’: we are all interested in many things, and our interests help direct our attention. Different interests are salient at different times. In a monotropic mind, fewer interests tend to be aroused at any time, and they attract more of our processing resources, making it harder to deal with things outside of our current attention tunnel’.

My experience of being monotropic feels like having a channel of energy that flows through the whole body mind, it is completely consuming. It feels like there is a force within monotropism that draws me into specific channels of thinking and enables me to hyperfocus, it can lead to high levels of engagement and motivation.

Monotropism can create a happy ‘flow state‘; a monotropic way of thinking and processing can sweep you along; much like a river, it has momentum and can have a deep intense current. It can be a wonderful experience of escapism and regulation. Engaging in monotropic flow states is like entering a happy state of mind,  where you may become so hyper-focused that nothing else matters or is even noticed around you. 

Monotropism is a good way of conceptualising how autistic special interests can support better mental health. By embracing the theory of monotropism, I feel we can gain an understanding of how flow states may help to recharge and regulate the sensory system. Embracing a natural state of monotropic flow can help to enable positive mental health, work and also learning outcomes for autistic people.

However, I also feel an understanding of monotropism could support a better understanding of the mental health difficulties that some autistic people may experience. When in a flow state it can be hard to shift attention channels to engage in different tasks, which may make daily life quite challenging. It is hard to pull out of / or switch channels of attention that are so consuming.  As much as monotropism can create a happy flow state, I feel it can also lead to darker, negative flow states and be exhausting to manage.

I firmly believe that a deeper understanding of monotropism may help reduce the impact of autistic burnout and could improve the mental health outcomes for autistic people. Research has slowly been emerging over the last few years, but this area still needs far more research.

Monotropism | Autistic Realms

We design for and encourage skimming, so skim-scroll on down and see what grabs your attention.

How We Try to Make This Website More ADHD-Friendly

In this video, Jessica discusses how she made her book more ADHD friendly.

How I Made My Book ADHD-Friendly 🧠📘 – YouTube

We attempt all of these things on our website at stimpunks.org.

  • Lots of whitespace.
  • Every page/screen has something breaking up the text. Break up text with pull quotes, blocks, bullets, bolding, backgrounds, images.
  • Add attention getters like selective bolding and pull quotes.
  • Write in conversational style.
  • Organize so you don’t have to read it.
  • Flip open right to your struggle. Allow people to pick up and go right to what they need.
  • Format is the same for every chapter.
  • Make it so people can just read the headers.
  • Make it engaging and visual.
  • Add in jokes and feelings.
  • Put everything in one book so folks have one place to go.

How I Made My Book ADHD-Friendly 🧠📘 – YouTube

What would you do to make our scrollytelling style on stimpunks.org more ADHD-friendly?

A page of neat and tidy typed text in long paragraphs is the least memorable format known.

We attempt some techniques from “Memory Craft: Improve Your Memory with the Most Powerful Methods in History” on stimpunks.org.

A page of neat and tidy typed text in long paragraphs is the least memorable format known. You need to reduce it into small segments, each made memorable by flourishes and fancy layouts. Add colour and doodles. Highlight. Enclose with clouds. Write the whole portion backwards. Do anything to make each logical entity, each verse, distinct.

Memory Craft: Improve Your Memory with the Most Powerful Methods in History

The efficacy of short sentences on a memorable page resonates with my experience as a teacher. I have found that students who read an entire paragraph of information quickly will often claim they didn’t understand it, but if they read it phrase by phrase, stopping at each comma or full stop to ensure they understand, the entire paragraph becomes meaningful. With short sentences, you are forced to engage with each element of the information and not try to grasp the whole in a single befuddling quest.

Memory Craft: Improve Your Memory with the Most Powerful Methods in History

The important lesson for all of those wanting to memorise huge amounts of information is that the Navajo store this knowledge in their mythology. In stories. Vivid lively stories make information more memorable.

Memory Craft: Improve Your Memory with the Most Powerful Methods in History

I’ll explain how these methods correlate with the most recent discoveries in neuroscience, which show that associating memory with place is hardwired into our brains. This common factor is why cultures all over the world have developed similar methods: they are working with the same brain structure. The neuroscience explains how we benefit from repetition and music, and in particular the value of memory palaces.

Memory Craft: Improve Your Memory with the Most Powerful Methods in History

One of the most important lessons I have learned from indigenous cultures is the value of strong characters in stories. I cannot emphasise enough how useful this is.

Memory Craft: Improve Your Memory with the Most Powerful Methods in History

Indigenous cultures around the world don’t just use the vast landscape as a memory palace; they use a wonderfully integrated system of objects—portable memory devices—that are often simply referred to as ‘art’ and seen to have little practical purpose.

Memory Craft: Improve Your Memory with the Most Powerful Methods in History

many objects interpreted simply as artworks are mnemonic landscapes in miniature.

Memory Craft: Improve Your Memory with the Most Powerful Methods in History

If you want to remember what you’ve written down then take the lessons offered in the medieval manuscripts and turn your page into a memory space.

Memory Craft: Improve Your Memory with the Most Powerful Methods in History

The wilder, the more colourful and active, the more grotesque, vulgar or erotic the images and stories you create are, the more memorable they will be. That is the secret to making knowledge memorable.

Memory Craft: Improve Your Memory with the Most Powerful Methods in History

To memorise any information, you need to first organise it into little chunks that flow in a logical order.

Memory Craft: Improve Your Memory with the Most Powerful Methods in History

A memory palace is a structure, grounded in the landscape, offering a firm base on which to build a tower of knowledge to play with, analyse and think about—a way to ponder the big picture.

Memory Craft: Improve Your Memory with the Most Powerful Methods in History

The big lesson of this chapter is: don’t make nice neat notes. Decorate and doodle all over them.

Memory Craft: Improve Your Memory with the Most Powerful Methods in History

As in classical times, memory training involved associating information with emotionally striking images in a set of ordered physical locations.

Memory Craft: Improve Your Memory with the Most Powerful Methods in History

Can’t we optimise our thinking by making the best use of all three: memory, writing and computer technology?

Memory Craft: Improve Your Memory with the Most Powerful Methods in History

But most important of all, the pages of the text had to stir the emotions to make the written word unforgettable.

Memory Craft: Improve Your Memory with the Most Powerful Methods in History

The elaborately decorated lists of numbers were written between illustrations of columns with arches above, reflecting the ancient memory advice to use inter-columnar spaces as locations for memory images. The vertical spaces between the columns were then divided by horizontal lines into small rectangular spaces, each holding no more than five items, the maximum number suggested for retaining in memory for a single location.

Memory Craft: Improve Your Memory with the Most Powerful Methods in History

Laying out the narrative in a grid of images makes it more memorable. Your brain will remember where a given rectangle in the grid lies in the space and hence recall the information.

Memory Craft: Improve Your Memory with the Most Powerful Methods in History

Many of the stories are painted in grids, some of the most famous examples being three cells by four cells, as in Plate 23. The images are not only unique but positioned in a unique location on the page.

Memory Craft: Improve Your Memory with the Most Powerful Methods in History

Memory Craft: Improve Your Memory with the Most Powerful Methods in History

Of course, you could get really enthusiastic and design stained-glass windows for your home based on the narratives of knowledge you want to share. Many church windows were laid out in grid structures to make the narrative easy to follow for the illiterate congregation. Medieval churches boasted glorious colourful images in sequences of stained glass, each telling a small part of the story. Staring at those superb windows week after week ensured that the stories of the Bible were well entrenched in medieval minds.

Memory Craft: Improve Your Memory with the Most Powerful Methods in History

Whenever you need to learn an abstract theme, give it a character.

Memory Craft: Improve Your Memory with the Most Powerful Methods in History

The secret to memorising anything is to break the information down into memorable portions; just focus on a snippet at a time.

Memory Craft: Improve Your Memory with the Most Powerful Methods in History

In the pious Middle Ages, violent, lewd and fanciful images were deemed highly inappropriate. I am delighted to report that Albertus justified their use because, ironically, they were so effective for memorising moral philosophies.

Memory Craft: Improve Your Memory with the Most Powerful Methods in History

In her seminal work, The Art of Memory, Frances Yates wrote: ‘If Simonides was the inventor of the art of memory and “Tullius” its teacher, Thomas Aquinas became something like its patron saint.’1

Memory Craft: Improve Your Memory with the Most Powerful Methods in History

That’s the big lesson from Thomas Aquinas: meditate. Go over your journeys and palaces, your memory boards and songs, but do it gently and slowly.

Memory Craft: Improve Your Memory with the Most Powerful Methods in History
Our Storytelling Conventions

We love Stimpunks, their Glossary is a rich source of information presented through an affirming lens. Be more Punk! 🤘🏻✊🏾 https://stimpunks.org/glossary-list/#h-all-glossary-entries

Pebble Autism on X

We also heavily use “accordions”. Accordions contain more in depth information on a topic that you can reveal at your own pace.

We often break paragraphs of text down into bulleted lists that present one idea per line in plain language.

To listen to our web pages:

  • Many, but not all, pages on our website provide AI-generated audio of the text.
  • Press play near the top of each page.
  • Or click/tap the floating headphones icon on the bottom right of the screen.
  • We respect ear-reading.

We provide content hierarchy, visual hierarchy, and tables of contents.

We are iterating toward “digital stories” and “Web-Based Conceptual Portmanteau”.

Consume this content to the depth and breadth of your preference in whatever way and order works for you.

This website is a living document that you can contribute to under a Creative Commons CC BY-SA license. Send us your suggestions and favorite quotes and resources.

We provide “Main Takeaways” on many pages. Main takeaways are presented with one idea per line in a bulleted list format. If you don’t have time or energy to read an entire page, reading just the main takeaways will give you what you most need to know.

Readers on the web scan for information, rather than reading everything line-by-line. Chunking your content into smaller sections, called out by larger headings, helps them find the information they’re searching for.

When I’m trying to find something quickly, there’s nothing more intimidating than jumping onto a site with a giant wall of unbroken content. 

Show, Don’t Tell | CSS-Tricks – CSS-Tricks

Where possible, break down paragraphs into lists. Lists make scanning easier!

Show, Don’t Tell | CSS-Tricks – CSS-Tricks

bold the most important part of a sentence to make sure that readers scanning through your content catch their eyes on what’s most important.

Show, Don’t Tell | CSS-Tricks – CSS-Tricks

Show, then tell. Start with concrete examples & pictures, then lay down the abstract definitions.

Nutshell: make expandable, embeddable explanations

Our Rules for Scrollytelling

  • Accordions expand/infodump on a topic without interrupting the main flow.
  • Accordions labelled “What is…” provide definitions, context, and further reading.
  • Accordions labelled “In other words…” explain things in different ways, including easy read, one idea per line, and plain language summaries.
  • One line inline definitions are offered.
  • Explanatory items are grouped into “What does this mean?” blocks.
  • Related items are grouped together on a colored background with a group title. This makes it easier to tell what’s in a group and skim past it.
  • Pick colors for groups based on colors in included media, if any.
  • Pick colors for groups of accordions based on themes like rainbow.
  • Lots of whitespace.
  • Every page/screen has something breaking up the text.
  • Selective bolding of key sentences facilitates skimming.
  • A table of contents is provided near the top of each page.
  • Headings are used approximately every 5 screens (on a laptop) or less.
  • 20 headings max.
  • Put a “coming up” table of contents after 10 headings.
  • Consider putting a “Bodymind Break” section after 10 headings.
  • Spacers are used as pause points, fermata.
  • Spacers are used before headings to accentuate the break.
  • Long scrollytelling stories signpost to what’s ahead.
  • Break up text with pull quotes, blocks, bullets, bolding, backgrounds, images.
  • Use lists to present one idea per line.
  • Make it so people can just read the headers, table of contents and get the gist of the page/section.
  • Make it engaging and visual.
  • Write in a conversational style.
  • Add in jokes and feelings.

There’s more about our scrollytelling conventions in our explainer at “📚🌈♿️ An Encyclopedia of Disability and Difference

Content on our website is structured in a multimedia, multi-modality, scrollytelling style where the main concepts are presented at the top of the page in plainer language, with more academic language and further detail provided as you scroll down. Read to the depth you’re comfortable with. If you don’t have time to rabbit hole an entire page or section, read what you can knowing that you got the main ideas up front.

“Down the rabbit hole” = getting deep into something or ending up somewhere strange

Consume this content to the depth and breadth of your preference in whatever way and order works for you.

In other words…

The content on our website is designed to be engaging and accessible to a wide range of readers. We have adopted a multimedia, multi-modality, scrollytelling style, which means that information is presented in a visually appealing and interactive manner.

When you visit our website, you will notice that the main concepts are presented at the top of the page using simpler language. This allows you to quickly grasp the key ideas without getting overwhelmed by technical jargon. As you scroll down, you will find more detailed explanations and academic language for those who want to delve deeper into the topic.

We understand that everyone has different preferences when it comes to consuming content. That’s why we encourage you to read at your own pace and to the depth that you feel comfortable with. If you don’t have the time to explore an entire page or section, you can still gain a good understanding by focusing on the main ideas presented at the beginning.

We want you to have a flexible and customizable experience on our website. Feel free to consume the content in any way and order that works best for you. Whether you prefer to skim through the main points or dive into the nitty-gritty details, our goal is to provide you with valuable information in a format that suits your needs.

AI Disclosure: The summary above was created with the help of Elephas AI Assistant.

Accordions labelled “In other words…” explain things in different ways, including easy read, one idea per line, and plain language summaries.

📼 Bricolage, Remixing, Constructionism, and Pastiche: Behind Our Punk Rock Research-Storytelling

You don’t want to make communication an elite thing. And I think that’s really a lot of what punk was about — a hands on, do what you want, of the people type of a thing.

Anita Smith, Fifth Column, Queercore: How to Punk a Revolution

bricolage = the construction or creation of a work from a diverse range of things that happen to be available.

pastiche = a work that imitates the style or character of the work of one or more other artists. Pastiche celebrates the work it imitates.

constructionism = a theory that people build knowledge most effectively when they are actively engaged in constructing things in the world.

monotropism = a neurodiversity affirming theory of autism.

What do you get when monotropic bricolage thinkers write about monotropism and neurodiversity using the bricolage-friendly tools of the open web? This website. This website is an artifact of our iteration and constructionism.

Constructionism is being practiced anywhere where people are making artifacts to represent their knowledge constructions.

On Constructionism, Makerspaces, and Music Education

In the tradition of punk and disabled communities, we use bricolage and pastiche to roll our own.

Next in a punk sensibility was its love affair with pastiche. As the true postmoderns they were, punks drew freely from highbrow culture, lowbrow culture, and places in between, picking and choosing as they went, bound by no formal ideology.

In practice, however, punks consciously or unconsciously drew on previous youth cultures, with methodologies and ideologies marked by pastiche and bricolage. In other words, punks borrowed freely from previous youth cultures and dominant society, melding these elements into a new form of expression.

“We Accept You, One of Us?”: Punk Rock, Community, and Individualism in an Uncertain Era, 1974-1985

Neurodivergent and disabled people have to do it ourselves, or we go without. We bricolage from “a diverse range of things that happen to be available“.

People with disabilities are the original life hackers because our motivation is so high. If we don’t hack we often go without.

Liz Jackson: Designing for Inclusivity – 99U

In the arts, bricolage (French for “DIY” or “do-it-yourself projects”) is the construction or creation of a work from a diverse range of things that happen to be available, or a work constructed using mixed media.

The term bricolage has also been used in many other fields, including anthropology, philosophy, critical theory, education, computer software, and business.

Bricolage is a French loanword that means the process of improvisation in a human endeavor. The word is derived from the French verb bricoler (“to tinker”), with the English term DIY (“Do-it-yourself”) being the closest equivalent of the contemporary French usage. In both languages, bricolage also denotes any works or products of DIY endeavors.

Bricolage – Wikipedia

Jane Wiedlin of the Go-Go’s described the early Masque scene: “Everyone was kind of into the whole homemade thing, ‘cause … you couldn’t buy real punk clothes like they could in London.”

“We Accept You, One of Us?”: Punk Rock, Community, and Individualism

Stimpunks.org is pastiche. We celebrate the work of the many authors and artists we incorporate into our storytelling. In our learning space, we encourage our learners to build and iterate via bricolage, pastiche, and celebration of their influences.

A pastiche is a work of visual art, literature, theatre, music, or architecture that imitates the style or character of the work of one or more other artists. Unlike parody, pastiche celebrates the work it imitates, rather than mocking it.

The word pastiche is a French cognate of the Italian noun pasticcio, which is a pâté or pie-filling mixed from diverse ingredients. Metaphorically, pastiche and pasticcio describe works that are either composed by several authors, or that incorporate stylistic elements of other artists’ work. Pastiche is an example of eclecticism in art.

Pastiche – Wikipedia
In other words…

One Idea Per Line

  • Communication should not be exclusive or limited to a select group.
  • Punk culture emphasized a hands-on, do-it-yourself approach that was accessible to everyone.
  • Punk rock is about hands-on, do-it-yourself communication for everyone.
  • Bricolage refers to constructing or creating something using whatever materials are available.
  • Pastiche is a work that imitates the style of other artists and celebrates their work.
  • Constructionism is a theory that suggests people learn best when actively engaged in constructing things in the world.
  • Monotropism is a theory related to autism that embraces neurodiversity.
  • Constructionism is practiced whenever people create artifacts to represent their knowledge constructions.
  • The punk and disabled communities embrace bricolage and pastiche to create their own unique expressions.
  • Punks drew inspiration from various cultures and ideologies, freely borrowing and melding them into their own form of expression.
  • Neurodivergent and disabled individuals often have to rely on bricolage to meet their needs.
  • People with disabilities are skilled at finding creative solutions because they often have limited options.
  • Bricolage is the process of creating something using a diverse range of available materials.
  • Bricolage is a French word meaning improvisation or tinkering, similar to the concept of DIY (do-it-yourself) in English.
  • This website is a result of bricolage and constructionism.
  • Punk and disabled communities use bricolage and pastiche to create their own.
  • Punks drew from various cultures and created something new.
  • Disabled people have to be resourceful and use what’s available.
  • DIY ethos is an important message from punk.
  • The early punk scene embraced homemade creations.
  • Stimpunks.org celebrates the work of others through pastiche.
  • Pastiche imitates and celebrates the work of other artists.
  • Remixing is encouraged in our learning space.
  • Everything we create is influenced by existing creations and the lives of others.

One Paragraph Summary

This website, stimpunks.org, is a platform that combines different ideas and concepts to create something new. It is influenced by the punk and disabled communities, who believe in doing things themselves and using whatever resources are available. The website promotes the practice of bricolage, which is the construction of something using a diverse range of materials, and pastiche, which is imitating the style of other artists. It also embraces the concept of constructionism, which suggests that people learn best when they actively engage in creating things. The website encourages learners to remix and iterate, meaning they can take existing ideas and put their own spin on them. Overall, stimpunks.org celebrates the DIY ethos and the idea that creation requires influence from various sources.

Six Paragraph Summary

The concept of bricolage, remixing, constructionism, and pastiche are all intertwined in the context of punk rock and disability communities.

Bricolage refers to the construction or creation of a work using a diverse range of available materials or resources. In the context of punk rock and disability communities, bricolage represents the act of making do with what is available and creating something unique and meaningful out of it. It is a hands-on, do-it-yourself approach that empowers individuals to express themselves and their ideas.

Pastiche, on the other hand, is a work that imitates the style or character of the work of other artists. Unlike parody, pastiche celebrates and pays homage to the work it imitates. In the punk rock and disability communities, pastiche is used to draw inspiration from various sources and create something new and original while honoring the influences that came before.

Constructionism is a theory that suggests people learn best when they are actively engaged in constructing things in the world. It emphasizes the importance of hands-on learning and creating tangible artifacts to represent one’s knowledge constructions. In the context of punk rock and disability communities, constructionism is practiced when individuals create artifacts, such as music, art, or writing, to express their ideas and experiences.

The concept of monotropism, which is a neurodiversity-affirming theory of autism, is also mentioned in the context of bricolage thinking. It highlights the unique ways in which neurodivergent individuals process information and engage with the world. The punk rock and disability communities often embrace this diversity and encourage individuals to embrace their unique perspectives and approaches.

In summary, the punk rock and disability communities embrace bricolage, remixing, constructionism, and pastiche as creative and empowering approaches to self-expression and knowledge construction. These concepts allow individuals to make the most of the resources available to them, draw inspiration from various sources, and celebrate their influences while creating something new and meaningful.

AI Disclosure: The summaries above were created with the help of Elephas AI Assistant.

We encourage our learners to remix.

Remixing is key to progress.

Twenty Things to Do with a Computer Forward 50: Future Visions of Education Inspired by Seymour Papert and Cynthia Solomon’s Seminal Work

Creation requires influence. Everything we make is a remix of existing creations, our lives, and the lives of others.

Everything is a Remix Remastered (2015 HD) – YouTube

📋 Our Conventions

Content on our website is structured in a multimedia, multi-modality, scrollytelling style where the main concepts are presented at the top of the page in plainer language, with more academic language and further detail provided as you scroll down. Read to the depth you’re comfortable with. If you don’t have time to rabbit hole an entire page or section, read what you can knowing that you got the main ideas up front.

Especially in a world when some of the people attending your event, or participating in your meeting, will not have had time to review the whole thing in advance, assume that you have to front-load your key points at the beginning of the document. And within a particular page or slide, assume that you have to put the most pertinent info at the top, with supporting points below. If you’re not ordering things by importance (because you want to set up a chronological flow, or because you’re organizing by some historical categorization you’ve inherited) make that explicit in the text that your audience sees. Otherwise half your audience will be lost right at the top, wondering in their minds why these items are in an inexplicable order.

Make better documents. – Anil Dash

We love hyperlinks and use them extensively. We consider them a kindness to the reader and a potent weapon in the fight against disinformation. Many of our links lead to our expansive glossary.

We love Stimpunks, their Glossary is a rich source of information presented through an affirming lens.

Be more Punk! 🤘🏻✊🏾

https://stimpunks.org/glossary-list/#h-all-glossary-entries

Pebble Autism on X

Block Quotes

We use block quotations (blockquote) heavily. We quote our favorite passages and sources with hyperlinks signposting back to the original work.

Accordions

We also heavily use “accordions”. Accordions contain more in depth information on a topic that you can reveal at your own pace. As a thanks for scrolling down this far, we put some fun artwork from our community in an accordion below. Click or tap the accordion to expand it.

View “Sun Star Tapestry Beta” + Baby Animal
An adorable white lamb with pink noise and pink ears peeks above the bottom of the frame. Behind it is a fractal tapestry featuring sunny stars
“Sun Star Tapestry Beta” by Adriel Jeremiah Wool is licensed under CC BY-SA 4.0

Bulleted Lists

Where possible, break down paragraphs into lists. Lists make scanning easier!

Show, Don’t Tell | CSS-Tricks – CSS-Tricks

A related technique is to spray them with bullets. Bullet points are a super powerful way to make content more skimmable for an audience, and perform a useful forcing function in making you edit your points down to be concise and roughly consistent.

Make better documents. – Anil Dash

We often break paragraphs of text down into bulleted lists that present one idea per line in plain language.

To Listen to Our Web Pages

Sections, Hierarchy, and Tables of Contents

We provide content hierarchy, visual hierarchy, and tables of contents to improve skimmability and wayfinding.

Readers on the web scan for information, rather than reading everything line-by-line. Chunking your content into smaller sections, called out by larger headings, helps them find the information they’re searching for.

When I’m trying to find something quickly, there’s nothing more intimidating than jumping onto a site with a giant wall of unbroken content. 

Show, Don’t Tell | CSS-Tricks – CSS-Tricks

People want to know where they’re at in the story. This doesn’t have to be fancy, you don’t need a full timeline bar like a YouTube video. But a quick outline of progress (and, if you’ve got a particularly long document, recapping your position in that outline as you go) can help ensure people that they understand their place in the overall conversation.

Make better documents. – Anil Dash

Lily Pads

We group related elements together in color blocks with rounded corners. We call these “lily pads” as they are pads from which spectacular things bloom. Further, lily pads develop from a rhizome, evoking the autistic rhizome.

Lily Pads

Screenshot of one of our web pages showing two lily pads

Our web pages are constructed from lily pads sprouting from the rhizome of collected community knowledge.

The Autistic rhizome creates new energy through the sharing and evolution of ideas which permeates and ripples through into wider society. A rhizome is a root system of pure connections.

Autistic Rhizome

A growing and evolving network of Autistic communities with no hierarchy or dependence on anothers existence.

Each person forms an integral part and is connected by a flow of energy that not only runs through and between individuals and communities but enables new connections to form. It is a place of safety, support and deep understanding.

The Autistic rhizome creates new energy through the sharing and evolution of ideas which permeates and ripples through into wider society.

@Autistic Realms

Rhizome: as conceptualised in the work of Deleuze and Guatarri. A network with no single point of origin. No part of the network depends upon the existence of another. I have introduced the idea of this in the context of community here.

Neuro-anarchy and the rise of the Autistic Rhizome – DGH Neurodivergent Consultancy

On discord, there is a growing network of communities. I have lovingly dubbed this collective The Autistic Rhizome. They are an interconnected network of knowledge exchange, and mutual aid and support that have displaced the hierarchical nature of advocate/follower relationships. 

We are equal in these spaces.

This doesn’t mean that all knowledge shared is useful in advancing the neurodiversity movement. Like any knowledge, some is good, some is bad, most is somewhere in the middle.

This growing network consists of communities that do not depend on each other to exist, but are still enriched by their interconnection. There is no starting or end point. There is no advancing through communities based on levels of knowledge. They just simply exist, and people come and go as they please.

Neuro-anarchy and the rise of the Autistic Rhizome – DGH Neurodivergent Consultancy

In order to explore the nature of our ever growing and developing Autistic culture, we need to be looking to the Autistic rhizome, detached from a non-existent central point, exploring new theory, and building on what exists. We need to surprise the world with each new thought, not repackage the same thought over and over.

Autistic Culture and the Advent of Decentralised Communities – Stimpunks Foundation

Deleuze and Guattari described this kind of thinking as ‘Rhyzomatic.’

A rhyzome isn’t like a tree, it doesn’t have subordinate parts emerging from a core trunk. A rhizome is a root system of pure connections.

How the things connect is how they are defined. By the same logic, how they are disconnected is how they are defined.

Deleuze differed from the poststructuralists like Derrida and Foucault in that he was a Monist. All of it is connected, all of it is one, and the connections and lack of connections between the things, are what define them as things. This is an Ontology of Difference.

Spider-Verse, Identity Politics, Leftist Infighting, and the Oppression Olympics – YouTube

A punk bass line. With all the space for ingenuity and contributions.

A rhyzomatic orchestra of ideas, shared laterally and equally, by all these unlikely and envigorating sources.

Spider-Verse, Identity Politics, Leftist Infighting, and the Oppression Olympics – YouTube

Lily pads improve skimmability and aid cognitive accessibility.

Bolding

bold the most important part of a sentence to make sure that readers scanning through your content catch their eyes on what’s most important.

Show, Don’t Tell | CSS-Tricks – CSS-Tricks

Show, then Tell

Show, then tell. Start with concrete examples & pictures, then lay down the abstract definitions.

Nutshell: make expandable, embeddable explanations

Smart Brevity

Smart Brevity’s Core 4

Smart Brevity, in written form, has four main parts, all easy to learn and put into practice—and then teach. They don’t apply in every circumstance but will help you begin to get your mind around the shifts you need to make.

  1. A muscular “tease”: Whether in a tweet, headline or email subject line, you need six or fewer strong words to yank someone’s attention away from Tinder or TikTok.
  2. One strong first sentence, or “lede”: Your opening sentence should be the most memorable—tell me something I don’t know, would want to know, should know. Make this sentence as direct, short and sharp as possible.
  3. Context, or “Why it matters”: We’re all faking it. Mike and I learned this speaking to Fortune 500 CEOs. We all know a lot about a little. We’re too ashamed or afraid to ask, but we almost always need you to explain why your new fact, idea or thought matters.
  4. The choice to learn more, or “Go deeper”: Don’t force someone to read or hear more than they want. Make it their decision. If they decide “yes,” what follows should be truly worth their time.
VandeHei, Jim; Allen, Mike; Schwartz, Roy. Smart Brevity: The Power of Saying More with Less (pp. 24-25). Workman Publishing Company.

Our Rules and Patterns for Scrollytelling

Our Rules and Patterns for Scrollytelling
  • Accordions expand/infodump on a topic without interrupting the main flow.
  • Accordions labelled “What is…” provide definitions, context, and further reading.
  • Accordions labelled “In other words…” explain things in different ways, including easy read, one idea per line, and plain language summaries.
  • One line inline definitions are offered.
  • Explanatory items are grouped into “What does this mean?” blocks.
  • Related items are grouped together on a colored background with a group title. This makes it easier to tell what’s in a group and skim past it.
  • Pick colors for groups based on colors in included media, if any.
  • Pick colors for groups of accordions based on themes like rainbow.
  • Lots of whitespace.
  • Every page/screen has something breaking up the text.
  • Selective bolding of key sentences facilitates skimming.
  • A table of contents is provided near the top of each page.
  • Headings are used approximately every 5 screens (on a laptop) or less.
  • 20 headings max.
  • Put a “coming up” table of contents after 10 headings.
  • Consider putting a “Bodymind Break” section after 10 headings.
  • Spacers are used as pause points, fermata.
  • Spacers are used before headings to accentuate the break.
  • Long scrollytelling stories signpost to what’s ahead.
  • Break up text with pull quotes, blocks, bullets, bolding, backgrounds, images.
  • Use lists to present one idea per line.
  • Make it so people can just read the headers, table of contents and get the gist of the page/section.
  • Make it engaging and visual.
  • Write in a conversational style.
  • Add in jokes and feelings.
“The value of using web media to engage students with diverse learning needs in composing with a wider range of modalities remains an important argument for digital pedagogies today.”

Thin Description and Data Visualization

We find that Love’s feminist articulation of “thin description” as a human observational practice is more in line with our commitment to embodied knowledge making practices that highlight how technologies and research methods reflect the social positionalities of the humans who employ them.

Thin Description and Data Visualization – Methodological Play – 100 Years of New Media Pedagogy

…we might also consider the value of forms of “thin description” (Love 2013) that focus more on observing surface features of a wide range of texts rather than on interpreting the many layers, contradictions, and hidden forces animating a single text: what we may lose in depth and nuance of interpretation with this approach, we can gain in breadth and copiousness of evidence.

Thin Description and Data Visualization – Methodological Play – 100 Years of New Media Pedagogy

Instead of seeing ourselves as gathering textual quotes to support a persuasive narrative argument, we saw ourselves first and foremost as building a database (in our case, a Google spreadsheet) that we could then query in order to explore a range of possible stories we might tell.

Thin Description and Data Visualization – Methodological Play – 100 Years of New Media Pedagogy

Ultimately, we take as axiomatic that all methodologies of textual analysis involve ideologically loaded processes of selection and reduction.

Thin Description and Data Visualization – Methodological Play – 100 Years of New Media Pedagogy

Today’s literary-historical scholar can no longer risk being just a close reader: the sheer quantity of available data makes the traditional practice of close reading untenable as an exhaustive or definitive method of evidence gathering. The same argument, however, may be leveled against the macroscale; from thirty thousand feet, something important will inevitably be missed. The two scales of analysis, therefore, need to coexist. (Jockers 2013, 9)

Thin Description and Data Visualization – Methodological Play – 100 Years of New Media Pedagogy

Multimodal Performance

We also see multimodal composing as a way to reveal some of the embodied process of our “dialogic collaboration” (Lunsford and Ede 1990) as scholars. As Lunsford and Ede have long argued, the process of collaborative writing need not proceed by strictly dividing up work, where each author is solely responsible for their own part. Rather, in a dialogic collaboration, authors engage in dialogue with each other throughout the process from the very earliest stages of invention to the very final stylistic edits, such that it becomes impossible to clearly identify where one author’s contribution begins and the other’s ends. Importantly, Ede and Lunsford emphasize dialogic collaboration as a robustly multimodal process in which spoken conversation plays a key role: “If you can imagine the words talk . . . write . . . talk . . . read . . . talk . . . write . . . talk . . . read . . . written in a large looping spiral—that comes closest a description as we know it” (Ede and Lunsford 1983, 152). Our process has been much the same, though we might sometimes replace the word “write” with other verbs such as “compose” or “code” or “perform.” Importantly, Lunsford and Ede argued that collaborative scholars should make space in their work to document their modes of composing, and they practiced this by telling detailed and engaging stories of the conversations they’ve had and the places they’ve gathered over years of “writing together” (Lunsford and Ede 2012).

Multimodal Performance – Methodological Play – 100 Years of New Media Pedagogy

Weaving the Web

In addition to the emphasis on how web composing helped expand audiences for student writing, Huntington Lyman (1999) gave voice to a particularly crucial reason for encouraging student participation in composing for the web: working with multiple media forms allowed even those students who aren’t the strongest writers a greater potential range of rhetorical expression. As he writes, “hypertext’s easy incorporation of images and sounds has the potential to involve students who are strong in the non-verbal intelligences. . . . Hypertext helps integrate word, image, and sound, allowing students to draw on their strengths and discover new possibilities in their writing” (58). Although the notion of multiple “intelligences” can at times be used in overly reductive ways, Lyman’s emphasis on the value of using web media to engage students with diverse learning needs in composing with a wider range of modalities remains an important argument for digital pedagogies today.

Weaving the Web (Act 4, Page 3) – Conversing With Computers – 100 Years of New Media Pedagogy

Make better documents.

White Space

You know how all your designer friends are always talking about white space? You basically can’t have too much of it. Almost every time you want something to stand out, one of the best ways to do that is not through lots of formatting, but through a smart use of white space. Done properly, the point you’re making will stand out on its own. Maybe you can just use a bit of minimal formatting to make it really pop, but it shouldn’t take much.

Make better documents. – Anil Dash

Spray Them With Bullets

A related technique is to spray them with bullets. Bullet points are a super powerful way to make content more skimmable for an audience, and perform a useful forcing function in making you edit your points down to be concise and roughly consistent. One less-obvious benefit of using bullet points is that it can often reveal to you as an author whether the information that you’re providing is all in the same category. In prose, it can be easy to sometimes drift off-topic into unrelated topics, but with bullets, if you’ve got a list that has items which are very evidently out of place, it can be more evident.

Make better documents. – Anil Dash

Pay attention to sequencing and order

Especially in a world when some of the people attending your event, or participating in your meeting, will not have had time to review the whole thing in advance, assume that you have to front-load your key points at the beginning of the document. And within a particular page or slide, assume that you have to put the most pertinent info at the top, with supporting points below. If you’re not ordering things by importance (because you want to set up a chronological flow, or because you’re organizing by some historical categorization you’ve inherited) make that explicit in the text that your audience sees. Otherwise half your audience will be lost right at the top, wondering in their minds why these items are in an inexplicable order.

Make better documents. – Anil Dash

Give people wayfinding

People want to know where they’re at in the story. This doesn’t have to be fancy, you don’t need a full timeline bar like a YouTube video. But a quick outline of progress (and, if you’ve got a particularly long document, recapping your position in that outline as you go) can help ensure people that they understand their place in the overall conversation.

Make better documents. – Anil Dash

Close by reiterating your mission and goals

You can never go wrong by restating first principles in the closing of your message. Remind people about alignment on purpose, and ideally alignment on values. This sets up for a constructive conversation, and clarifies the priorities that you all share in having a dialogue in the first place. You’ll never go wrong thanking your audience or reminding them about past collaborative successes, either.

Make better documents. – Anil Dash

We are iterating toward “digital stories” and “Web-Based Conceptual Portmanteau”.

Consume this content to the depth and breadth of your preference in whatever way and order works for you.

This website is a living document that you can contribute to under a Creative Commons CC BY-SA license. Send us your suggestions and favorite quotes and resources.

🥡 Main Takeaways

We provide “Main Takeaways” on many pages. Main takeaways are presented with one idea per line in a bulleted list format. If you don’t have time or energy to read an entire page, reading just the main takeaways will give you what you most need to know.

Here are the main takeaways for our front pages.

Main Takeaways from Our Front Pages
  • Stimpunks is created by and for neurodivergent and disabled people.
  • We exist for the direct support and mutual aid of neurodivergent and disabled people.
  • We serve our loved people so we can keep on livin’ through the onslaught.
  • We presume competence, and we believe in self-determination.
  • One in four U.S. adults have a disability.
  • Our community receives only 2% of US grant funding.
  • Only 19% of us are employed.
  • We have to challenge the norm and change the narrative.
  • The place where we belong does not exist. We will build it.
  • We bring voice into empirical constructs and translate voice into academic comprehension.
  • Staying alive is a lot of work for a disabled person in an ableist society.
  • Direct support to individuals is the most effective approach to alleviating the barriers and challenges that prevent neurodivergent and disabled people from thriving.
  • We reframe, because we’re not broken.
  • The long-term well-being and empowerment of Autistics and members of other neurocognitive minority groups hinges upon our ability to create a paradigm shift – a shift from the pathology paradigm to the neurodiversity paradigm.
  • Spare us from the mold.
  • Stimpunks is an essential resource for educators.
  • “Timeless Learning” is a fundamental text of progressive pedagogy.
  • We must critically examine our classrooms to build neurodiversity-friendly spaces.
  • Progressive, human-centered education is compatible with neurodiversity, the social model of disability, and human dignity.
  • Neurodiversity is one of the most powerful ideas of our generation.
  • Words have the power to change attitudes toward autistic people.
  • We prefer identity-first language, not person-first language.
  • I’m autistic, not a person with autism.
  • Autistic is an important part of my identity.
  • I’m a disabled person, not a person with disabilities.
  • Disabled is an important part of my identity.
  • The label “disabled” means so much to me. It means I have community. It means I have rights. It means I can be proud. It means I can affirm myself in the face of ableists. It means I can be myself and so much more.
  • Identity first language is common among neurodivergent and disabled self-advocates.
  • The words autistic and disabled connect us with an identity, a community, and a culture. They help us advocate for ourselves.
  • “Disability” and “disabled” are indicators of culture and identity. Thus, “disabled person” is an accepted term.
  • There is a clear preference for identity-first language among autistic people.
  • Language is a place of struggle.
  • Language matters.
  • We have a moral imperative to connect with the communities we serve and use the language they prefer.
  • Our needs are human needs, not special needs.
  • We choose the margin, because design is tested at the edges.
  • Reframing ourselves and others is hard and important work necessary to all other work.
  • Disability and neurodivergence are broad umbrellas that include many people, possibly you.
  • The neurodivergent umbrella includes a diversity of inherent and acquired differences and spiky profiles.
  • Neurodivergent is an umbrella term that is inclusive and not exclusive – this means mental illnesses are considered neurodivergent.
  • Neurodivergent is an umbrella term for anyone who has a mind or brain that diverges from what is seen as typical or normal. ⁣
  • Neurodivergent is a term created by Kassiane Asasumasu, a biracial, multiply neurodivergent activist.
  • Neurodiversity is a different term created by Judy Singer, an autistic sociologist.⁣
  • Identifying as neurodivergent is up to the individual and we don’t gatekeep or enforce the term. ⁣
  • Self diagnosis is not just “valid” — it is liberatory.
  • We respect and encourage self-diagnosis/self-identification and community diagnosis.
  • Our website can help you understand your ways of being.
  • If you are wondering whether you are Autistic, spend time amongst Autistic people, online and offline.
  • If you notice you relate to these people much better than to others, if they make you feel safe, and if they understand you, you have arrived.
  • It is time to celebrate our interdependence!
  • The notion of disability in our society is underscored by a bizarre conception of “independence”.
  • Collaboration allows us to create genuinely safe spaces for autistic and otherwise neurodivergent people.
  • To face the challenges of the future, we’ll need the problem-solving abilities of different types of minds working together.
  • Pluralism is our reality.
  • The focus of the story we need is connection.
  • Whether neurodivergent, disabled, or an ally, being a Stimpunk means reframing.
  • We center the edges in service to all bodyminds.
  • Challenge the norm and change the narrative by reframing.
  • Reframe these states of being that have been labelled deficiencies or pathologies as human differences.
  • We are not okay.
  • We are here, we are angry, and we are only going to get louder.
  • This is our movement.
  • We’re going to rewrite the narratives.
  • Autistic children need us to support them as architects of their own liberation against the schools and clinicians and institutions and police and prosecutors who would crush and destroy them.
  • Not having the vocabulary to understand yourself and your loved ones is a tragedy.

🎸 When the movement is strong, the music is strong.

We use music to tell our stories. We embed music and lyrics all over our website.

🤖 Search and AI

You can also use the AI offered by our web hosting provider to ask our site a question.

  • We’re still testing this and can’t vouch for the results.
  • Initial testing suggests that this offers useful cognitive accessibility to our encyclopedia.
  • There are flaws when summarizing fine distinctions.
  • Members of our community use AI as assistive tech.
  • We are very interested in AI’s potential regarding accessibility.
  • We are concerned about the ethics of AI.
  • Our AI glossary page contains our developing philosophy on AI.
  • We include guidelines and disclosures from our AI vendor in an accordion below.
  • Let us know how it goes.
AI output might be surprising or flawed. Due to the nature of AI, output could be inaccurate, offensive, biased, harmful, or just plain false. You’re responsible for any output you use, as if you were the original or sole creator, so you should always thoroughly review output before using it.

Here are AI guidelines from our AI vendor.

  • AI output might be surprising or flawed. Due to the nature of AI, output could be inaccurate, offensive, biased, harmful, or just plain false. You’re responsible for any output you use, as if you were the original or sole creator, so you should always thoroughly review output before using it. For example, if you use an AI feature to help you write a description of a product you’re selling in your WooCommerce store, give it a read and edit to ensure it’s accurate! And keep in mind that the AI might not have been trained on the most current data; ChatGPT for example currently has limited knowledge of world and events after 2021.
  • Be thoughtful about what data you put in. Your input will be shared with third party AI providers and may be used to train their models — more on that below.  Think twice before inputting any confidential or sensitive information. 
  • We don’t claim any ownership over the content you generate with our AI features. Please note that you might not have complete ownership over the generated content either! For example, the content generated by AI may be similar to others’ content, including content that may be protected by trademark or copyright, and the US Copyright Office is still figuring out when AI-assisted content should get copyright protection.
  • Please be transparent when you use content that was generated with the help of AI. We hope to be thoughtful stewards of AI, so we believe this is always a good practice, but this is particularly important when it’s possible that someone could potentially be misled or harmed by the content.
  • Let us know if something isn’t helpful (or worse!). We’re constantly fine-tuning and enhancing these new and experimental features, so we’d appreciate your feedback. In some cases, you may be able to provide feedback within the product (👍/👎), but otherwise, please contact us.
AI Guidelines – Automattic

🚨 Content Warning

🐉 Bunnybadgers, Wolpertingers, and Dragons, Oh My

Some of the things you’ll encounter on your journey:

  • cat massages
  • sick, dope, fire art
  • lots of music
  • sassy dances
  • wolpertingers
  • bunnybadgers
  • bunny buns
  • rainbow dragons
  • Zelda maps
  • flowerpunks
  • punkflowers
  • fractals
  • hamster + lion = hamlion, rawr squeak
  • a rainbow shrimp visualizer
  • punk attitude
  • the first rule of punk
  • punky reggae parties
  • screams into the void
  • celebrations of interdependence
  • the entwined nature of queer and neurodivergent people
  • the entwined nature of queer and neurodivergent liberation
  • words that have the power to change attitudes
  • political and cultural connection with the neurodiversity and disability rights movements

Stimpunks provide joy in every page, link, and exploration. An excellent place and space to deep dive.

Lisa Chapman (Speech and Language Therapist) of CommonSenseSLT, author of Humanising Care
“Let’s offer balanced, experience sensitive, humanistic care in all our interactions; Care that values people & relationships; Care-givers & care receivers; Care with time as a medium, not a measure.” ––Lisa Chapman

Humanising Care

A resource created by Lisa Chapman (Speech and Language Therapist)

This resource combines the ideas and thinking of several authors with a singular focus; to help lay out visually the elements that contribute to Humanising interactions, & ‘An experience-sensitive approach to care’ (McGreevy et al., 2023).

Two of the summarised articles were written for health systems and health research (Todres et al., 2009; Heath & Montori, 2023). McGreevy et al. (2023) meanwhile write specifically about autism.

The themes of Acceptance, Belonging & Connection run throughout.

These are the ‘ABCs of Love’, the motto for the National Autism Training Programme: NATP (Anna Freud). ‘Love’ is an essential ingredient for holistic healthcare (Heath & Montori, 2023).

All these ideas are furthermore central to #FlipTheNarrative thinking (Chapple,2023) and reducing both the Double Empathy Gap (Milton, 2012, 2018; Miltonet al., 2022) and the Triple Empathy Gap (Shaw et al., 2023).

​This resource is for all who offer care, and all who receive it; going beyond Health into Social Care and Education (see Shannon, 2020, 2022).

Let’s offer balanced, experience sensitive, humanistic care in all our interactions;

Care that values people & relationships; Care-givers & care receivers;

Care with time as a medium, not a measure.

Humanising Care | Autistic Realms

Care is community.
Care is connection.
Care is collaboration.
Care is choice.
Care is listening, and learning.
Care is families and friendships and neighbours
and colleagues.
Care is random smiles from strangers on the street.
Care is laughter and kindness and tears and messy
and complicated and heart-breaking and joyous.
Care is about all of us, not them and us.
We need care.
We do care.
We are care.

Shannon, 2020

We need to reclaim the term ‘CARE’ – grasp it back
from the realm of commissioners & providers &
institutions, own it as an emotion & an action.

Shannon, 2020

Care happens in the space between people, in an unhurried encounter.

Heath & Montori, 2023

🐇🕳️🌈 A Rabbit Warren of Treasure Troves

Ready to scroll down the rabbit hole?

I am just having a night exploring Stimpunks! I can’t keep up with you, your site is just a huge rabbit warren of amazingness, I love it!

Feedback from a reader

It feels like a rabbit warren of underground tunnels and caves where people meet, mainly through online social media platforms. The continuous physical growth of these spaces where people are connecting is slowly creating ripples and heading into real family spaces and showing a genuine need for change in our education system as more and more children are showing how the current frameworks are just not meeting needs and resulting in school attendance difficulties and mental health concerns.

Caverns, Pleats and Folds. The potential to neuroqueer is inside… | by MoreRealms | Medium
The Autistic Rhizome = an interconnected network of knowledge exchange and mutual aid and support

Autistic Rhizome

A growing and evolving network of Autistic communities with no hierarchy or dependence on anothers existence.

Each person forms an integral part and is connected by a flow of energy that not only runs through and between individuals and communities but enables new connections to form. It is a place of safety, support and deep understanding.

The Autistic rhizome creates new energy through the sharing and evolution of ideas which permeates and ripples through into wider society.

@Autistic Realms

Rhizome: as conceptualised in the work of Deleuze and Guatarri. A network with no single point of origin. No part of the network depends upon the existence of another. I have introduced the idea of this in the context of community here.

Neuro-anarchy and the rise of the Autistic Rhizome – DGH Neurodivergent Consultancy

On discord, there is a growing network of communities. I have lovingly dubbed this collective The Autistic Rhizome. They are an interconnected network of knowledge exchange, and mutual aid and support that have displaced the hierarchical nature of advocate/follower relationships. 

We are equal in these spaces.

This doesn’t mean that all knowledge shared is useful in advancing the neurodiversity movement. Like any knowledge, some is good, some is bad, most is somewhere in the middle.

This growing network consists of communities that do not depend on each other to exist, but are still enriched by their interconnection. There is no starting or end point. There is no advancing through communities based on levels of knowledge. They just simply exist, and people come and go as they please.

Neuro-anarchy and the rise of the Autistic Rhizome – DGH Neurodivergent Consultancy

In order to explore the nature of our ever growing and developing Autistic culture, we need to be looking to the Autistic rhizome, detached from a non-existent central point, exploring new theory, and building on what exists. We need to surprise the world with each new thought, not repackage the same thought over and over.

Autistic Culture and the Advent of Decentralised Communities – Stimpunks Foundation

Deleuze and Guattari described this kind of thinking as ‘Rhyzomatic.’

A rhyzome isn’t like a tree, it doesn’t have subordinate parts emerging from a core trunk. A rhizome is a root system of pure connections.

How the things connect is how they are defined. By the same logic, how they are disconnected is how they are defined.

Deleuze differed from the poststructuralists like Derrida and Foucault in that he was a Monist. All of it is connected, all of it is one, and the connections and lack of connections between the things, are what define them as things. This is an Ontology of Difference.

Spider-Verse, Identity Politics, Leftist Infighting, and the Oppression Olympics – YouTube

A punk bass line. With all the space for ingenuity and contributions.

A rhyzomatic orchestra of ideas, shared laterally and equally, by all these unlikely and envigorating sources.

Spider-Verse, Identity Politics, Leftist Infighting, and the Oppression Olympics – YouTube

There is a deep yearning for people to feel understood, for their strengths to be celebrated and for their difficulties to be acknowledged. There seems to be a growing number of neurodivergent people seeking support and a growing number of neurodiversity-affirming, neurodivergent-led charities, organisations, and groups emerging to help people who have previously been marginalised and left feeling alone.

Many of the new organisations, groups and online spaces that are evolving are proving to be a wonderful coming together of different minds, a collective response to the long-standing unmet needs of neurodivergent people. They are an example of the internal experiences of neurodivergent people being acknowledged and represented in the community with shared experiences, empathy and understanding. This coming together and uniting through shared experiences and theories such as monotropism could be seen as being like a collective flow state; a combined energy of mutual understanding created by accepting and validating each other’s similarities and also differences.

Monotropism & Collective Flow. Exploring the philosophy of Deleuze &… | by MoreRealms | Oct, 2023 | Medium

Our collective flow from within the neurodivergent community is rhizomatically evolving and starting to branch outside the autistic community. Interest is growing that was not here even six months ago; webinars and training sessions are popping up over the internet, and new writing is being shared all the time.

I believe we need to embrace this flow and channel it into productive research and enable the inner experiences of neurodivergent people to drive the research so it is more meaningful for everyone. Neurodiversity is where potential and possibilities lie. Everyone has an integral and equally important role in creating and contributing to our community flow state and in the possibilities that may bring.

Monotropism & Collective Flow. Exploring the philosophy of Deleuze &… | by MoreRealms | Oct, 2023 | Medium
White, fluffy, baby wolpertingers with adorable bunny faces, yellow curling antlers, and white feathered wing gather around their parent wolpertinger in front of the opening of a warren in the side of a hill
“Wolpertinger” by Kaya Oldaker is licensed under “All Rights Reserved”. Used with permission.

Here are some mind maps with clickable/tappable nodes that take you to various places on this site.

Here’s a mind map of our pillars and philosophy.
Here’s a mind map of the themes on our website.
  • Sustainability
  • Culture and Identity
  • Place and Space
  • Continuity and Change
  • Citizenship and Social Responsibility
  • Design and Technologies
  • Social Organization
  • Creative Expression
  • Health and Wellbeing
Re-Humanizing Education: Exploring Thematic Design | SLIDE DECK (1), Exploring Thematic Design | Planning Pathway Learning Map – Google Docs
Remember what the Dormouse said
Feed your head
Feed your head

White Rabbit by Jefferson Airplane

🐇 …when suddenly a White Rabbit with pink eyes ran close by…

Drawing of a Randimal that combines a bunny and a badger
This feisty Bunnybadger is Inna’s Randimal. Follow her down the rabbit/bunnybadger hole.

Thanks for taking the plunge with Bunnybadger. Here we go. We’re about to get feisty. We’re about to be punk rock about it.

Be warned. There be dragons.

⏭️ Coming Up on the Next Page

On the next page, we get personal, we get feisty, and we get punk rock about it. We celebrate neurodiversity, disability justice, pluralism, weird pride, queer pride, and chosen family while making it clear that:

  • We are not okay.
  • You are killing us.



🌈♿️ Take Them Together: Neurodiversity and Disability Justice




Continue down the rabbit hole with “Take Them Together: Neurodiversity and Disability Justice