A bursting kaleidoscopic geometrical form with 4 sides of symmetry pointing angularly to each of the four corners of a square shaped canvas against a dark grey textured wall. There is a small red shaped plus at the very center, surrounded by orangish-peach and periwinkle butterfly like shapes at 45 degree angles from each other aligned to the mid center going up and also to the sides. The butterfly shapes are encased in a deeper red flower like shape before a region of light blue geometric textures. Near the corners are feathered white, dark grey-purple, burgundy and orange feather like edges.

Featured Artist: Adriel Jeremiah Wool Broadens Our Perspective on Perspective

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Home » Blog » Featured Artist: Adriel Jeremiah Wool Broadens Our Perspective on Perspective

Our featured artist is Adriel Jeremiah Wool.

Adriel Jeremiah is an computer programmer with a deep background in origami and folding. This artwork is an extension of a world view involving folding; often involving higher dimensional spaces. Many of these designs contain the mathematical magic of the transcendental numbers of nature, and all of them are the extension of the provisions of space itself; to be both physically folded, and conceptually folded, circularily and across many levels of expression.

Shop Art by Adriel

His spectacular new piece derives its color stream from a fluorite crystal that has a spheralite imperfection / inclusion (the red, purple, and orange).

A bursting kaleidoscopic geometrical form with 4 sides of symmetry pointing angularly to each of the four corners of a square shaped canvas against a dark grey textured wall.    There is a small red shaped plus at the very center, surrounded by orangish-peach and periwinkle butterfly like shapes at 45 degree angles from each other aligned to the mid center going up and to also to the sides.   The butterfly shapes are encased in a deeper red flower like shape before a region of light blue geometric textures.   Near the corners are feathered white, dark grey-purple, burgundy and orange feather like edges.
“Floralis (Flourite Spheralite)” by Adriel Jeremiah Wool is licensed under CC BY-SA 4.0

Description: A bursting kaleidoscopic geometrical form with 4 sides of symmetry pointing angularly to each of the four corners of a square shaped canvas against a dark grey textured wall. There is a small red shaped plus at the very center, surrounded by orangish-peach and periwinkle butterfly like shapes at 45 degree angles from each other aligned to the mid center going up and also to the sides. The butterfly shapes are encased in a deeper red flower like shape before a region of light blue geometric textures. Near the corners are feathered white, dark grey-purple, burgundy and orange feather like edges.

AJ describes what these fractal pieces are in this accordion. Their construction will broaden your perspective on perspective.

My artwork is digital photography in a world where objects exist in more than 3 dimensions, and where no known means of physical representation has yet been discovered to exist.

The artist hopes to convey this: that the universe is given forth folded and unfolded. Although explicit understanding helps, it is too cumbersome, and should only provide refinement to something already greater that exists.

That greater thing is what was given to the artist first by the practice of origami. An enlivening of the intuitive mind, experience with a universe of many dimensions, and the promise of creation revealed when one folds a flat square into the likeness of a higher dimensional thing. That inspiration reaches a young mind in a powerful way.
The artist wants the viewer to see proof of what their intuitive mind already knows is true, the universe is a multidimensional phenomenon and the ability to understand its nature already exists within us each.

The artist hopes the viewer will be inspired to seek the understanding of freedoms available to the individual inspired by the exposure to artistic expressions, and of a nature of dimensionality unimaginably greater than the object presented here.

Adriel Jeremiah Wool
Algorithmic fractal art resembling a human face
“The Adorned Man” by Adriel Jeremiah Wool is licensed under CC BY-SA 4.0
Adriel Jeremiah Wool

AJ is a regular contributor at Stimpunks. He kindly licenses his work as free cultural work. He helps us tell our stories with his art, music, photography, videography, audio engineering, poetry, prose, and lived experience.

AJ has a gallery in Ketchum, Idaho. Drop by if you’re around. He tries to make it a welcoming third place.

Stimpunks is gently debugging society.

The charity protects, helps and comforts individuals, while pointing out library-level flaws in some of the concepts that end up harming those individuals.

This help is profoundly wonderful, morally and functionally coherent to great need, and as true as a pure circle in its cause-and-

Adriel Jeremiah Wool

Stimpunks has put the fingernail into the orange-peel of the rigid world. It leaves a crescent 🌙 that others can use to help peel away those dangerous layers of as-of-yet-unmade change.

Adriel Jeremiah Wool

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