Sensory Access at Work

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The moment: you are going into an access conversation.

A catalogue rather than an argument, made to be carried in to a manager, to HR, or to anyone adjusting a shared space. The five external senses on the face; the three internal ones — proprioception, vestibular, interoception — on the reverse, where they get the room. Senses without folk names get argued down as preferences, so they are named. Adapted from the Sensory Access at Work Why Sheet.

Stimpunks Foundation to bring to a manager, to HR, to an access conversation
Broadside · Open edition
Side A of B

Sensory Access
at Work

Most workplaces are built for one narrow way of sensing, moving and communicating, and anything outside it gets called a problem. Input stacks faster than it can clear — and that load gets read as fragility rather than as design failure.

Access is created,
not granted.

the environment is designed · so it can be redesigned

Sight
  • Dim or kill the overheads; task lighting and daylight instead.
  • Replace or filter flickering fluorescents.
  • Sunglasses, caps and screen dimming are equipment, not accessories.
Sound
  • Quiet zones and low-stimulation rooms that actually exist.
  • Noise-cancelling headphones and ear protection as normal kit.
  • Cut background noise: HVAC, machinery, open-plan chatter.
Smell
  • No scented cleaners, air fresheners or aerosols in shared areas.
  • Ask people not to wear strong perfume or cologne.
  • Warn before painting, deep cleaning, or anything with fumes.
Taste
  • No shared meals or team lunches as a condition of taking part.
  • Safe foods and familiar brands, without comment or pressure.
  • A private, low-stimulation place to eat.
Touch
  • Ask before contact. Don’t assume handshakes.
  • Sensory-friendly clothing over rigid dress codes; fidgets and weighted lap pads.
  • Thermal sensitivity is common — layers, a personal fan, some say over the thermostat.
And three more overleaf
  • You were taught five senses. There are at least eight.
  • The other three have no folk names, so needs that come from them get argued down as preferences.
the full why sheet, with every source:
stimpunks.org/why/sensory-access-at-work
free to print, copy, change and share · CC0 1.0
See
reverse

One sheet · print double-sided · bring it to the conversation · share freely